Though Jason Reitman originally planned to use a glam-heavy soundtrack, Ellen Page’s recommendation to opt for something more stripped-back proved vital to the tone of Juno as a film that shows that big, real-life problems deserve music whose depth resides in the simplest of words. Songs like the Velvet Underground’s “I’m Sticking With You” and Buddy Holly’s “Dearest” contain two or three chords maximum and lyrics that could be read and understood by a young child. SIMPLE MUSIC SOUNDTRACKS DIFFICULT MOMENTSĪ big thread running through the music on Juno is its unabashed simplicity. 10 years after its release in the UK, we drop the needle on this quintessential indie classic. That it topped the Billboard 200 in January 2008, and later received a Best Compilation Soundtrack Album Grammy nomination, still speaks volumes of how Dawson and co. Steered by Kimya Dawson’s lo-fi indie-folk songs (most of which were penned especially for the film) and bolstered by an all-star cast including Sonic Youth, The Kinks, the Velvet Underground, and Cat Power, the music that defines Juno felt like a mixtape from an old friend who could tap into the psychic fuzz, growing pains, and absurdity that shadows the best of us into adulthood. It clicked, and Juno had its sound.īy the mid-2000s, home computing and iTunes had stunted the commercial appeal of traditional movie compilations, bar a few exceptions to the rule like Dreamgirls and High School Musical. She recommended the Moldy Peaches, the NYC indie-folk duo of Adam Green and Kimya Dawson. Early in its production, director Jason Reitman asked Page what band she thought the scripted characters would listen to. No independent movie soundtrack in recent years has even come close to the joint critical and commercial success of Juno, the Oscar-nominated 2007 comedy-drama starring Ellen Page as Juno MacGuff, an offbeat 16-year-old navigating the pitfalls of unplanned teen pregnancy and romance. Cut the “Tiny Dancer” scene from Cameron Crowe’s Almost Famous. Mentally detach “Fake Plastic Trees” or “Rollin' With My Homies” from Clueless. Try, for a second, to imagine Stand By Me without Buddy Holly, “Great Balls of Fire”, or the 1960 Ben E. If there’s one thing most iconic coming-of-age films have in common, it’s a killer soundtrack.
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